Interspersed in between sections of the looped Brandenburg theme are two “interludes” at (01:44) and (02:25), containing secondary themes, or variations on the same theme, more virtuosic and improvisatory in sound (a.k.a. The New Penguin Dictionary defines multitracking as the “ by which recordings are made separately and then combined.” Authentic re-purposing For about a minute and a half, they loop their stylized rendition of the theme, using it as just another track over which other tracks–beats, vocal patterns, etc.–are layered. The two different kinds of audience members are dancing at this point, with the more “hood” attendees pulling the stuffy old folks up out of their seats (and their comfort zones).Īlso in line with the hip-hop style Black Violin is going for is their use of the Brandenburg theme. At this point, the music includes record scratches and synthetic beats to accompany the more syncopated and swung rhythms in a hip-hop version of the Brandenburg theme. Notably, Kev Marcus and Wil B (the two members of Black Violin) are dressed in tuxedos on stage until about (01:00), where suddenly (through camera magic) they are wearing deconstructed, “hood-appropriate” outfits to denote the dramatic change of style in the music.
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